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The difference between making a short film in 1995 and 2010

I was recently given the opportunity to produce a short film for work about a new website, coming soon for internal workers. Since I hadn’t really made a short film since my student efforts with Stephen Fry in 1995 – when we were outputting to VHS! – I thought it’d be a great chance to learn what had changed in the last 15 years. A lot.

Whereas before we literally pointed and shot the camera at our interviewees, this time we also had a lighting kit to contend with. A huge lighting kit on a trolley that came in a flight case – and I was told this was the portable version. It did make a difference in terms of the visual image, but I’m not sure it was worth the effort of rigging everything up and blinding our interviewees. But if that’s the professional way to do it …

Of course, I was the one asking the questions, although it took me a while to master my brief, as they are wont to say in the civil service. But by the time I’d recorded and logged all the interviews, I had enough soundbites to put something together, although it then became a bit of a mad dash to try and find alternative footage to pep up the visuals – and amazingly, if you want to film at the place you work, you need a permit. Plus there’s so much footage in the archives that it’s actually very difficult to try and find the footage you want, that somebody else MUST have surely filmed.

All in all, we spent a day and a half filming, and got about 90 minutes of raw footage out of eight quick interviews, most of them lasting less than ten minutes. It took me a couple of hours to transcribe the interviews to create a rough “script” to take to the edit suite.

Having spent most of my working life vainly trying to get work computers to do basic video editing, it was a real blessing to walk into a properly maintained edit suite running Final Cut Pro, being run by an editor who knew what he was doing. Even if it didn’t seem that different from Adobe Premiere Pro. We even managed to add in a couple of graphical flourishes and a visual gag. I did miss the physicality of doing it myself though – of pressing the buttons, using the jog wheel etc.

So two meetings, 14 hours of filming, 2 hours of logging, a couple of spare tapes for extra shots, and 8 hours of editing later, I can say that I’ve managed to help produce a 4 minute internal film that five key stakeholders seem reasonably happy with. Which is an innovation in itself. But then, Geoff managed to make this video in 5 hours…

Now I’ve got a vague hunger to see what else I can film and edit. Of course, that would mean finding a subject, the time, the motivation – oh, and the equipment as well.

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Name my booking system!

At work, I’m currently project managing the development of a booking system for various internal events.

But it has no name. Well, aside from Booking System. Which is, needless to say, not particularly attractive.

So… any suggestions from the crowd?

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Embarassment at work… (sponsored post)

So far, my most embarassing desk-work moments have involved:

- merrily miming along to a superlative Pet Shop Boys track called I’m In Love With A Married Man.
- shrieking like a girl when I played a video that unexpectedly turned into one of those scary jumpy videos.

But fortunately, I’ve not yet been caught looking at things I shouldn’t have, quite like this:

Video placement paid for by ChannelBee

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Famous in less than 6 work days…

After just one week in the new workplace (which is admittedly pretty much the same as the old workplace, only in a different corner), I have been recognised and spotted by:

- one old work colleague from a decade ago
- one old line manager from three years ago

On the flipside, I have also spotted:

- one old work colleague from a decade ago
- an occasional professional blogger (but that’s an occupational hazard I guess!). But I haven’t plucked up the courage to go and say hi to them yet…

The last time I worked at a major building like this, it took the canteen staff two years to acknowledge my usual ‘order’. Here, it’s taken just over a week, which is a bit worrying…

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and on my other blog…

there’s a contemplative blog entry about my future existence and career, stuff like that. If you want to read it, let me know.

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How does one go freelance?

Thanks to a lovely blogger friend of mine (who says blogging gets you nowhere?) I have now embarked on the strange and interesting world that is freelancing, for one major employer (spending weekdays in ol’ London town), doing some online editing and writing, which is nice. It’s a bit of an eyeopener into the way that “real” publishing works, and I’ve got some stuff to learn but as the Amerikanski would say, It’s All Good.

However, the vexed question of my official status and how I should be paid has arisen. Should I:

- go completely freelance, and just invoice the company direct, and sort out tax and National Insurance at the end of the year? The slight flaw being I’m not sure i can be a “sole trader” if I’m just working for one employer.

- go on their payroll as a casual? Easiest option, but least lucrative I guess…

- employ an umbrella company to be the middle man for sorting out invoices and the like…

What do you think?

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Induction versus induction…

When you hear the word induction, what do you think it means?

I thought it meant my work colleague was going through a corporate induction, and thought it was a trifle odd since he’d been working at the company for quite a while. But I made a joke about it anyway.

He thought I knew that it was referring to his forthcoming baby, who may well have to be induced. And he thought it was a trifle odd that I’d make a joke like that, and wondered if I was being wacky for the sake of being wacky, or I’d gotten the wrong end of the stick.

I’m already developing a reputation. Three weeks into the job. Oy vey. But it’s still a good fun place to be at!

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Dunno much about geology…

For the last three days, my work has taken me to a three day course on geology for non-geologists. Specifically on how the search for oil is conducted.

While some of it was quite interesting in a science-y geeky sort of way, most of the time my head was veritably lost in the clouds while my body slumbered, shook and occasionally slumbered. And not in any subtle way.

Apparently I’d be rolling around on my chair at the back of the room, my head lolling up and down and my leg shaking while the lecturer tried to ignore me. And then I’d snort, wake myself up and try to get myself paying attention to the study of sedimentary rocks. Today, I was doing this within 15 minutes of arriving at the lecturer room – despite having had a good night’s sleep.

The great thing about being an adult is that of course the lecturer couldn’t tell me off for (quite rightly) snoring through his lessons. Although this isn’t the first time – I’ve apparently also snorted and slept through BBC Web Editorial meetings, and drawing lessons. Which is a shame, because I’d have learnt how to draw properly.

The upshot of which is that I’ve self-diagnosed myself as having a wee bit of attention-deficit hyperactivity disorder. Which is most annoying since I can’t seem to concentrate on anything – so any hopes of going to university to better myself will probably have to go out the window. Unless they can present all lectures in a dark cinema in a narrative film-based format – because I’ve never fallen asleep in a cinema. Well, aside from an IMAX screen in 1994…

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Having fun at work

I’ve worked within new media companies for just over a decade, and no office I’ve been in has come close to having as much fun as the staff at Connected Ventures, according to this new video which has apparently sparked yet another entry to the trendy urban lexicon, lip dub.

Maybe it’s because UK new media is just too dour to do things as silly. Maybe it’s because all the new media companies I’ve worked for were based in either way-too-posh rented offices, or just run-of-the-mill offices. Maybe I’m just too old for the onset of true citizen-generated video content. Maybe it’s just me.

Stick with the clip, it does become one of the silliest, joyful and yet easy-to-do videos I’ve seen. Then again, I’m a huge fan of miming. Even has shades of Morecambe & Wise in it.

Lip Dub – Flagpole Sitta by Harvey Danger from amandalynferri on Vimeo.

There’s another track I need to add to my iTunes…

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So what do you do for a living?

It’s an oft-quoted cliche that one of the first things British people ask each other is what they do for a living. Which is a wee bit annoying when you work in weird non-descriptive roles in companies because it makes you sound extraordinarily weird or dull.

I remember one work outing to a comedy club, where Rich Hall (superlative American comedian with a sour face permanently based in the UK) asked our party of web geniuses what we did for a living. Dylan piped up that he was a website writer. The look on Hall’s face as he realised that he’d have to spin some kind of song or riff on a very dull-sounding job was just priceless – although he did manage it, something throwing in references to yarns of wool and sheep-rustling en route. (Don’t ask me how, I was very very drunk)

Fast forward to this morning, and I suddenly find myself on local radio station Coast FM identifying a Take That song for the chance to win some cinema tickets to go see Blades of Glory. Despite being sleep-befuddled, I do my best to sound lively and interesting, mostly because I’ve listened to independent radio enough to categorise the listeners into being either:

  • dull and dull (“Hello… Ta for the tickets.”)
  • lively but dull (“Gosh, I’m so wacky me, I’m a party girl. I love to party and I rilly rilly want to hear Snow Patrol’s Chasing Cars!”)

(wait till I write the blog post about the inanity and stupidity of listeners to independent local radio!)

But then he asks what I do for a living – and it’s too early to think of a reasonable answer, so I reply project management. Somehow he mishears this as product management, and then somehow asks me about octopuses. And in my own imitable fashion, I talk about eating them or something like that – possibly not the best idea on a radio breakfast show.

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