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Magical musical tour

A former music writer colleague of mine once told me that the great thing about new music was that it was always there for you, when you were ready.

Given that my last CD purchases of simple pop bands Alphabeat and Scouting For Girls drew sustained moaning from my music-loving neighbour, it’s patently high time that I stopped hearing new music via music video channels, and had my musical horizons somewhat expanded. Fortunately, my friend muzikfiend is visiting from the States, with a declared intention to spend a week going to as many music concerts and clubs as possible, so I thought I’d join her.

So first off was Sneaky Sound System at the Koko. I’d heard pretty much nothing about them, so was pleasantly surprised to find a popular energetic electro-pop-dance band from Australia with a couple of catchy songs that I still can’t forget.

[youtube=http://www.youtube.com/watch?v=DndO0odK-uc&hl=en&fs=1]

Next, it was Ladytron at the Shepherds’ Bush Empire. I have listened to, and liked a couple of their songs before so I was looking forward to it, but was “super non-impressed”, as muzikfiend puts it. It seemed as if they had no passion, no desire to be there – they were just going through the very bored motions, and they didn’t play their more popular tunes. However, the crowd around me seemed to love it, so it was probably just me not attuned to their cold ways.

Now, onwards to an impromptu club tour of London

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Acieeeeeeeeeeeeeeeeeeeeeeeeeedddddd

A smiley face, as made by GreyArea and as seen on Flickr An email flew across UK new media types today, exhorting people to take part in a flashmob to celebrate 20 years of acid house. Or as most people would term it, acccieeeeeeeeeeeedddddddd – courtesy of D-Mob’s We Call It Acieed, which was probably the closest mainstream charts got to it.

But to hear people twittering and muttering about it, apparently everyone was simply getting on down t’acid house in the second summer of lurve (1988). Except unsurprisingly, I was trapped in my parents’ bedroom probably not doing much except watching TV and imagining that simply every cool kid was getting on down t’Acid House in the big cities. And they probably were.

Personally, out of D-Mob’s ouevre, I preferred D-Mob & Cathy Dennis – C’mon get my love. And to think she went on to write some of Kylie’s greatest hits. Ahhh, the 1980s…

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How can we take the time if we never make the time?

Busy London commuters, taken by DriftWords There’s a fascinating article in the Washington Post about what happened when they persuaded a world-class violinist, using a rare Stradivarius, to play some of the world’s ‘best’ classical music purposes while standing on an intersection in a busy Washington D.C. Metro station. Would commuters stop, and listen in awe – or move on in their busy lives?

Ironically, the article itself – as presented on the web – is so hideously long and complicated, I had to skim-read to find out what happened next. So the article online is definitely not a work of art. ;)

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The gayest songs of all time…

An Australian gay site has produced the top fifty gay songs of all time, and it’s quite interesting/scary to see the songs I like/love on the list…

Read the rest of this entry »

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Lost in music…

Unusually, I seem to have rediscovered my love for pop music lately – probably as a result of driving around over Christmas with the radio turned up. But it’s never usually a good sign.

I’m certainly digging (daddio) Scouting For Girls, if only because Elvis Ain’t Dead lets me do my air synth dancing, which goes down well at the local discotheque.

Every time Girls’ Aloud’s Call The Shots, I can’t stop doing the “ooooooh” lyric – which can be embarassing in the office. Then again, I first heard the chorus starting off as “Just because you lay in your bed and call the shots”. But even with the correct version, I still have no idea what the narrative flow of the record is – it just makes no sense! Do you know what it all means?

There’s no such confusion with Rhianna’s Please Don’t Stop The Music. Simplistic pop that’s only saved by the grace of having that Michael Jackson sample in it. One that comes in very handy when trying to keep your cool and shopping around the place.

Then again, I still like hearing Take That’s Rule The World. Even if it’s been played to death on British radio. It’s still a damn good track.

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Madchester music meanderings…

An American friend of mine is coming to stay with me in Manchester next week, and has expressed a profound interest in all things Mancunian and music, such as Joy Division, New Order, Happy Mondays, The Smiths, electro music, goth music, etc.

Alas, the only things I can think of to show her are the Salford Lads Club and what’s left of the Hacienda. Do you have any better suggestions ?!

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Old teenage hopes are alive at your door

On a rather depressing Friday night, the new iPod Nano advert has reminded me of this cheerfully simplistic-to-epic pop song by Feist with an amazingly clever-but-simple video. But why is it cheering me up so much? Is it because:

- the cheerfulness and sheer “optimism” of the song, in a way that North American pop can do so well and British pop just can’t
- the sheer exuberance of dance, with me wishing I could move and dance and be part of all that?
- Feist looks attractive in a jumpsuit exposing her shoulders?

It’s such a shame that a video I once covertly enjoyed is now going to be endlessly played by Apple’s advertising campaign until it loses its sheen of loveliness.

[youtube=http://www.youtube.com/watch?v=p8Z-DIAthbM]

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A TV news ident that sounds like the Pet Shop Boys…

Maybe it’s intensely wrong of me, but …

Whilst doing some random surfing, I found myself listening to the BBC London News ident. Thus I suddenly found myself on my desk grooving to it a la Tyres O’Flaherty in Spaced, as if it was the latest groovy Pet Shop Boys tune … can you spot the similarity, or is that just me?

Perhaps it’s an unconscious yearning to listen to some more Pet Shop Boys music. I did also find myself humming along to Jack The Lad the other day, which is not the most cheerful Pet Shop Boys song ever.

There was even a series of concerts the Pet Shop Boys did a couple of weeks ago – but nobody seems to have gone, or at least raved about it to me or told me how fab it was. Maybe it was exactly the same set as the 2006 summer concerts – but no-one’s told me yet. Although to be fair, I haven’t looked for that information anywhere beyond my email and RSS feeds… did you go?

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I’m hot! And cool!

Hot mainly because, well, it’s hot. Damn hot. Too damn hot. Right now it’s 23 C / 73 F outside, and it was even hotter and sunnier this weekend. And it’s not just mad dogs and Englishmen who stay out in the sun – for two consecutive weekend afternoons, we were out in the sun either in a pub garden or in our garden attempting a barbecue. Followed by a couple of hours indoors as we tried to rest our weary heads and fight a sun-induced headache. Thank Gawd for ice cubes. Now I see why Americans tend to drink everything with ice cubes in them.

Cool because according to this music chart using data from CBS/last.fm, my music tastes are only 24% mainstream, which must mean 76% cool. This does rather surprise me because I’d always assumed my music tastes were relatively mainstream and pedestrian – while not going to the extremes of buying Boyzone CDs though, I suppose.

Having said that, Kylie Minogue doesn’t exist according to the above chart, so perhaps there’s some work to do on it yet…

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Am I the only one who doesn’t diss Joss Stone?

During this year’s Brits Awards 2007, Joss Stone came along to present an award, sporting red curly hair and rambling in an American accent. Coming from someone who is ostensibly a blonde 18-year-old teenager from Devon.

This provoked a media ministorm-in-a-teacup, although I had assumed at the time it was mainly media-generated on a slow news day from showbiz hacks desperate for any kind of story. I mean, Joss Stone is – whichever way you look at it – quite a success. Surely the British have gone beyond being jealous of success.

But apparently not. Mid-week sales for her third album – just released – apparently place her in the top 20, but not the top 10 as expected. From what I’ve heard of the album (alright, I’ve just seen the single on MTV) it’s as catchy and “cool” as her other singles. So what gives?

Did I miss the memo which said we were all supposed to intensely dislike Joss Stone these days?

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