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The rise of Chinese pop culture…

The rise of Chinese pop culture…

When my sisters and I were growing up (younger than ten), we were somewhat discouraged from consuming Western pop culture, ie music and films, by our parents. (Can’t you tell?) Thus, while my schoolfriends were (perhaps) reading Smash Hits et. al., we were listening to Cantopop and comedy films from Hong Kong, procured at great expense and effort from Chinese shops in Liverpool.

One of the tapes we used to constantly listen to on those long drives to Liverpool were albums by Sam Hui, who along with his brothers also used to make knock-about comedy capers like Security Unlimited. They were simple, but had catchy tunes and comedy routines – in the back of my head, I can probably still recall the Security Unlimited way of learning how to drive. Think of a working class Nolan Sisters branching into Carry On films, with no innuendo.

Then we got a radio, I discovered how to control the television set, and I threw myself into UK pop culture (Smash Hits! Neneh Cherry! Doctor Who!) while my parents wondered where exactly they had gone wrong.

Fast-forward 25 years, and a chance Googling reveals that American casinos are so keen to get Chinese gamblers coming in, they book Sam Hui to perform at Las Vegas, and casinos in Connecticut have Chinese-language websites where lots of Asian pop stars perform, for the cash. I’ve seen casinos put up Chinese-language signs in London and Manchester to compel Chinese gamblers to come in, but this takes it to a whole new level.

As for that Security Unlimited – the film my sisters and I must have watched hundreds of times on repeat on a dodgy VHS – is now on YouTube, and also available via video-on-demand. Technology, eh?

Now if only I could speak Chinese.

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